Edited Volumes | Journal Articles (Peer-Reviewed)

“Arts and Crafts, Elsewhere and Home, Mama & Me: Defying Transnormativity through Bobby Cheung’s Creative Modalities of Resignification,” in Critical Ethnic Studies: A Reader, ed. Jodi Kim et al. (Durham, NC: Duke University Press, 2016), 252-268.

Badass, Motherfucker, and Meat-Eater: Kit Yan’s Trans of Color Slammin’ Critique and the Archives of Possibilities,” nineteen sixty nine: an ethnic studies journal 1, no. 1 (2012): 23-38.

“Now You See Me, but You Don’t: On Neoliberal Exceptionals, Transgender Citizenship, and the Politics of Counting,” co-authored with Jacob Lau, under review.

Critical Essays | Reviews (Non-Refereed)

“An Unruly Archive of Healing: Struggling Against the Professionalization of Community Building, Immigration Enforcement, and Queer/Trans of Color Cultural Amnesia,” Dreamers Adrift, February 23, 2013.

“Rewriting the Written: FTM Self-Making and the Performance of Possibilities in Sean Dorsey’s Uncovered: The Diary Project,” CSW Update Newsletter, UCLA Center for the Study of Women, April 2009.

Creative Writing

“Proximity and the Shifting Contours of Belonging,” The Feminist Wire, May 28, 2013.

Poetry and Poetics Statement, in Troubling the Line: Trans and Genderqueer Poetry and Poetics, ed. TC Tolbert and Tim Trace Peterson (Callicoon, NY: Nightboat Books, 2013), 76-86.

“I can finally breathe…,” Dreamers Adrift, May 14, 2012.

“Proof,” in Gender Outlaws: The Next Generation, ed. Kate Bornstein and S. Bear Bergman (New York, NY: Seal Press, 2010), 242-246.

Visual Art | Comics (Print & Online Periodicals)

“soft skin,” OUT/LOOK & The Birth of The Queer 18 (Fall 2017): 24. (Solicited)

“Memory of an Avalanche,” in MFA in Comics Anthology Vol. 2 (San Francisco, CA: California College of the Arts, 2016), 110-127.

Cover Art, Contemporary Asian America: A Multidisciplinary Reader (third edition), ed. Min Zhou and Anthony C. Ocampo (New York, NY: New York University Press, 2016).

Illustrations, Vetch Poetry No. 2 (Spring 2016). (Solicited)

Artist Pages, Local Nomad: An Online Journal of Writing and Art (Spring 2015). (Solicited)

Cover Art, Queer Necropolitics, ed. Jin Haritaworn, Adi Kuntsman, and Silvia Posocco (New York, NY: Routledge, 2013).

Cover Art, freitext 21 (April 2013).

Cover Art, Gender Reel Festival Guide (Gender Reel Productions, 2012).

Cover Art, Contemporary Asian America: A Multidisciplinary Reader (second edition), ed. Min Zhou and J. V. Gatewood (New York, NY: New York University Press, 2009).

Artist Page, Sarnsaeng Arun Magazine No. 8 (March-April 1998). (Solicited)

Visual Art | Comics (Websites)

The View from 2017: What Does OUT/LOOK Mean to Today’s Artists & Writers?,” OUT/LOOK & The Birth of The Queer, 2017. (Solicited)

Love in the Time of War, online exhibition curated by Việt Lê and Jennifer Vanderpool. (Solicited)

Glitter Bomb. National Queer Arts Festival 2015: Connections,” Queer Cultural Center, 2015.

Queer it Yourself: Tools for Survival,” Queer Cultural Center, 2011.



San Francisco Camerawork, SFC Video Archives- Love in the Time of War, video recording, directed by Megan McHugh (2017; San Francisco, CA: Art Curved Straight, 2017).

Grace Hong and Rod Ferguson, “Rod Ferguson & Grace Hong: A Conversation on Strange Affinities and the Arts,” Contemporary, May 7, 2017.

Noa Ha, “The Art of Dissection: A Reading Experience of Jinthana Haritaworn’s The Biopolitics of Mixing” (trans.), freitext 21 (April 2013): 52-56.

Dorothy June Fraser, “Occidental Paradise: Bo Luengsuraswat on Intercepting Misrepresentation,” Plenitude Magazine, February 18, 2013.

Jason U. Kim and Kristen Sun, “Visual Media: Bo Luengsuraswat, Interview by Kristen Sun,” cover art competition runner-up, nineteen sixty nine: an ethnic studies journal 1, no. 1 (2012): 14-20.

“Scholarship Awardees,” Asian Pacific Islander Queer Women & Transgender Community, April 8, 2015.

“AASC Fellowships, Prizes, Scholarships, Internships and Grants Awardees,” Cross Currents: UCLA Asian American Studies Center News Magazine, 40th Anniversary Edition, Spring 2010.